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Joseph Anton Koch The Wetterhorn with the Reichenbachtal oil painting


The Wetterhorn with the Reichenbachtal
Painting ID::  2215
Joseph Anton Koch
The Wetterhorn with the Reichenbachtal
1824 Oskar Reinhart Foundation, Winterthur

   
   
     

Joseph Anton Koch The Lauterbrunnen Valley oil painting


The Lauterbrunnen Valley
Painting ID::  2217
Joseph Anton Koch
The Lauterbrunnen Valley
1821 Thorvaldsens Museum, Copenhagen

   
   
     

Joseph Anton Koch The Monastery of St.Francis in Sabine Hills, Rome oil painting


The Monastery of St.Francis in Sabine Hills, Rome
Painting ID::  2219
Joseph Anton Koch
The Monastery of St.Francis in Sabine Hills, Rome
The Hermitage, St.Petersburg

   
   
     

Joseph Anton Koch Seiss Landscape (Berner Oberland) (mk09) oil painting


Seiss Landscape (Berner Oberland) (mk09)
Painting ID::  21396
Joseph Anton Koch
Seiss Landscape (Berner Oberland) (mk09)
1817 Oil on canvas ,101 x 134 cm Innsbruck,Tiroler Landesmuseum Ferdinandeum

   
   
     

Joseph Anton Koch Schmadribach (mk09) oil painting


Schmadribach (mk09)
Painting ID::  21397
Joseph Anton Koch
Schmadribach (mk09)
c 1821/22 Oil on canvas,131.8 x 110 cm Munich,Bayerische Staatsgemaidesammlungen,Neue Pinakothek

   
   
     

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     Joseph Anton Koch
     1768-1839 Austrian Joseph Anton Koch Galleries was an Austrian painter of the German Romantic movement. The Tyrolese painter left academic training in the Karlsschule Stuttgart, a strict military academy, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' 'heroic' art, at first in a literal manner. After 1800 Koch developed as a landscape painter. In Rome he espoused a new type of 'heroic' landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. He left Rome in 1812 and stayed in Vienna until 1815, in protest of the French invasion. During this period he incorporated more non-classical themes in his work. In Vienna he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher, and this new approach had a wide influence on German landscape painters who visited Rome.

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     | Georg Caspar Prenner | eric utterhielm | Jan Davidz de Heem |


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